Primus Jumped Out Right At Me

Primus hits real close to my 90s kid routes.  It was about the time in high school when I discovered this band and I’ve always identified with the quirky and technically proficience of the group.  Let by Les Claypool, this band found a way to drive home some hard rock while doing it in a fashion that is not of this planet.  These alien rockers were in Austin on November 7th and I finally got to see them, in 3D nonetheless.

Bass Concert Hall is on the campus of Texas University.  Actually it’s right behind the football stadium.  It’s reserved for stand up comedians and classical music so having a band like Primus be there does not fit in.  That’s perfect.  It set the tone right off the bat.  I think the best part of the venue for me is that I could sit down in actual seats.  It didn’t last long, but it was nice during the intermission.

I needed the rest too.  The 3D experience part of it was lively and dynamic and did not strain my eyes at all.  There was a sensory overload but the intermission, and the Popeye cartoons that were played during it, helped keep things in check.  The graphics matched was played during the song and evenly distributed the 3D portion with 2D background.  Yeah, it was neat.

But what was neater was Primus.  Neater to the extreme.  Les Claypool’s bass lines border on schitzophrenic and rest of the band kept up like the old pros that they are.  Green Nogahide was their latest release and they inserted tunes from that without being too overbearing.  Lee Van Cleef is my pick from the new set, mainly because of the name.

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My favorites included the rousing closer Tommy the Cat and selections from the Brown Album.  Tommy the Cat showcases Les’s playing the best out of all the songs and is long enough to provided the rest of the members to breath.  Songs like Over the Falls come from the Brown Album and remind just how often I jammed that in my beat up Oldsmobile back in the day.

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The 3D experience was great but what was even better was finally punching Primus off the concert bucket list.  The off center style that they exhibit make much more a study of how alternative music can really be alternative.  After enough listens, it starts to become normal.  That’s when you need to take off the 3D glasses.

Fun Fun Fun Fest 2012

Okay it’s been over a month since Fun Fun Fun Fest and now I’m finally getting down to writing about it.  For the uninitiated, Fun Fun Fun Fest is a music festival in Austin, Texas that takes place in the fall.  Amongst the bajillion music festivals in the Austin area, this one seems to be the most alternative and wacky.  That’s two things that are near and ear to my heart.  Last year I went with a day pass, but this year I plunked down some change for the 3 day pass.  I’m glad I did.

Since it’s been awhile I’m going to pick out some highlights from the days.  Yeah, there’s tons of video online but I think the highlights are enough.  The 3 day event featured music from the alternative, hip hop, techno, and metal areas of music. Plus, I got to sample some other mainstream type things like half pipes and professional wrestling.  Let me hit that up first.

I’m not a big skater or biker so the half pipe didn’t appeal to me too much.  I did enjoy the other peeps bouncing up and down the ramp during the shows, however.  The wrestling was more my kind of style.  Anarchy Championship Wrestling is a local independent type promotion and they had a ring setup right next to the ramp.  It’s all in good fun and was way more than I expected with a wrestling drinking game match.

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Now on to the music.  First day’s highlights include The Dum Dum Girls, Tia Carrera, and speical performance by The Black Lips with Val Kilmer.  Yeah, that Val Kilmer.  I’m conflicted about who was the biggest highlight of the day:  Santigold or Run DMC.  When I think about it, I think Santigold will get the nod.  Run DMC almost did a medley of songs and finished fairly early.  Plus they were really pimping Jam Master Jay’s kids and their DJ careers.

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Yeah it goes to Santigold.  The songs were deeper and they stage show actually impressed me.  It takes alot for me to praise a stage performance but Santigold had a good showing without over powering the music.  Speaking of the music, the live band made swallowing some of the beats more palatable.

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Day two saw some other great tunes.  The highlights for me include Real Estate, Love Inks, Daughn Gibson, and Power Trip.  Refused’s reunion closed out the night and blew me away.  I didn’t know that Swedish people could do heavy metal so well.  The unfortunate part about was the Black Stage was way at the end and we had to walk that way to get to the bus.  So we lapped the venue just to get home after that.

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The big highlight of day two was Public Image Limited.  John Lydon’s post Sex Pistols band was a little more 80′s and a little more mainstream.  He kept the crazy eyed look though.   That said, he didn’t keep up his waistline.  Man that guy was huge.  But the songs were very melodic and had me humming them well after the festival.  Also, the guitar player was amazing.

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The last day marked a fat middle with some less then enthusiatic book ends.  The highlights for me include Black Moth Super Rainbow and Balmorhea.  A Place to Bury Strangers blew me away with their explosive set.  De La Soul talked WAY too much during their set and I’m sad I sat through it.  But it allowed me to see AraabMUZIK up close and for the third time.  This time I saw a whole set.  Bosnian Rainbows suprised me as it really was a reschedule of Omar Rodriguez Lopez’s new group.  Yeah he has a new one and it was great, even though lead singer lady Teri Gender Bender bent weird on stage.

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The last day’s highlight for me is a little known band by the name of Valient Thorr.  Basically it’s a bunch of bearded dudes doing to some good ole fashioned rock and roll.  Their syncopation reminds of some 70′s jams from bands like Ram Jam.  The lead singer, Valient Thorr himself, is what really had me rocking.  They guy had the crowd in the palm of his hands.  He was bouncing all over and even climbing the rafters way up high to rock out.  It was nearly impossible for anyone in the dirt not to follow.

And that’s Fun Fun Fun Fest.  It was less grimy than last year, but we had enough most pits to kick up some dust.  The food and beer situation was weak and they need to get better at it.  The eclectic selection, however, needs to stay put as it was the perfect of unknown and classic music makers from a wide swatch of the musical spectrum.  Seriously, if you get a chance, get the tickets and head on out.  You may even get hit by the taco cannon.

SXSW Day 05: Brogrammer Up!

Yes, Tuesday was the last day of SXSW Interactive and I’m starting to get bogged down.  It’s a good that all I have to do is drink more Red Bull and pop the ole collar here.  In all seriousness, the day’s events for Tuesday went from learning to exploring to networking to partying.  My voice is gone and my legs are dead.  But it was all worth it to me. Continue reading SXSW Day 05: Brogrammer Up!

SXSW 2012 Day 04: Battery Almost Charged

Now that the rain was behind us, it was time to make up for lost outside time. Monday brought some travelling as well as some gathering. I only attended 3 panels, but they were all pretty much worth it. The rest of the day was good ole booth to booth fun. After Tuesday, it’s all music and all anight. So Monday was a way lighter day. Continue reading SXSW 2012 Day 04: Battery Almost Charged

SXSW Day 03: SUNday Funday

Sunday started out raining but it ended up being a SUNdat fun day. Yeah, puns all over the place. I ran throug some sessions, got some grub and schwag, and shook hands with a real cool. All while it from cold and rainy to warm and sunny. It was like the sun energized the whole crowd. Let’s look at the talks: Continue reading SXSW Day 03: SUNday Funday

Spiraled out of the Mind of Mike